REVIEW

Music Review: Taj Mahal - Maestro

Written by Richard Marcus
Published September 14, 2008

I've been trying to remember the first time I heard Taj Mahal, and for the life of me I can't. On the other hand, I can't remember a time when I didn't know the name Taj Mahal. He's one of those musicians who has been a constant presence, maybe not always in the forefront, or even someone I've listened to on a regular basis. Yet, in a world where names come and go and musical fashions change with the hour, mere mention of his name has always be sufficient to gain my attention.

He always seems to pop up or be involved in music related things which I'm interested in; from his appearance in the movie Songcatcher as a banjo playing blues man to his support of Tim Duffy's Music Makers Relief Foundation. His interest in music is so broad that to try and confine him to one genre by calling him a blues' musician almost seems a disservice, as he seems as comfortable with early Americana music as he does with reggae and Hawaiian music. He was first person to get me to take the ukulele seriously, after years of seeing it in the hands of people like Tiny Tim and adolescent movie stars of the forties and fifties.  He was definitely the first person to convince me that the banjo was indeed a blues' instrument.

Of course all of that is peripheral to what's most important - his music. For forty years he's been writing and performing great music and in celebration of that anniversary he will be releasing Maestro, on Heads Up Records, September 30, 2008. Although the recording is not an overview of his career or a greatest hits package, it could be looked on as a retrospective of his time in music. The twelve tracks reflect not only the various musical styles that Taj has proven his excellence with over the years, they also display his virtuosity on his favourite lead instruments, slide guitar, banjo, and ukulele.
Taj Mahal.jpg
The word maestro, when used in connection to music, is usually associated with the conductor of an orchestra, and it implies a position of leadership and experience. It's direct translation though, master, implies more than just leadership, suggesting as it does a person with authority over others, or someone who is considered to be an authority on a particular subject or object. I think it would be safe to say with Taj Mahal that all of those definitions are appropriate.

Of course the word maestro also carries with it a certain level of recognition and appreciation for a person with years of experience under their belt like Taj Mahal, and becomes an honorific to express the respect and admiration that people feel for that individual. On Maestro Taj is joined by musicians from countries all over the world in order to help showcase his special abilities. The fact that quite possibly most of them weren't born when Taj first started working professionally only emphasizes the level of respect that is felt for what he has brought to the music industry.

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Copy02-11-Richard portrait-72-4x4.jpgRichard Marcus is a long-haired Canadian iconoclast who writes reviews and opines on the world as he sees it at Leap In The Dark and Epic India Magazine.
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Maestro Maestro
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The Best of Taj Mahal The Best of Taj Mahal
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Giant Step/De Ole Folks at Home Giant Step/De Ole Folks at Home
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The Natch'l Blues The Natch'l Blues
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Oooh So Good N'Blues/Recycling the Blues Oooh So Good N'Blues/Recycling the Blues
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Music Review: Taj Mahal - Maestro
Published: September 14, 2008
Type: Review
Section: Music
Filed Under: Music: Blues, Music: Classic Rock and Oldies, Music: International/World, Music: Roots Rock, Review
Writer: Richard Marcus
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Comments

#1 — October 5, 2008 @ 23:04PM — Lynda Lippin [URL]

I totally agree! We just saw him last night at BB Kings's in NY and he encored with Deva--just awesome.

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